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Figurative, Still Life and Narrative Works  

Based on everyday life experiences, objects of personal significance, and the artist's family life, these works are presented in a variety of media and formats including shaped panels, triptychs and altarpieces. Utilizing non-linear narratives and unconventional metaphor, they transform the commonplace into universal expressive commentary on social, environmental and philosophical issues, such as climate change, the cycles of life, death, growth and decay, parenthood, and the passage of time. 

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Study for "Refuge,"  graphite on museum board, 1996, 12 x 13 inches,

private collection, Berlin, Germany

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Elizabeth Quinn Sleeping,  6 color lithograph drawn on

one stone and five plates, 2005, 10.3 x 10 inches,

collections include Metropolitan Museum of Art, NYC;

National Gallery of Art, Washington, D.C., etc.

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Study for "Movement,"  mixed media over digitally

manipulated pigment print, 2010, 37 x 33 inches (triptych), 

collection of Roundtop Trust


Refuge, oil on panel, 1997, 48 x 48 inches,

collection of Southern Alleghenies Museum of Art, Loretto, PA





Pinata, acrylic and oil on prepared paper, 2004, 26 x 19 inches 

collection of Judy and Howard Tullman, Chicago, IL



Aftermath, oil on prepared paper, 2007, 17 x 12 inches

private collection, Washington, D.C.



Origins,  oil on shaped aluminum panels, 2007, 84 x 76 x 6 inches

(triptych mounted in altarpiece frame)

collection of Roundtop Trust

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Carbon County, graphite over fossil rubbing

on paper, 1996, 19 x 18 inches

private collection

Fossil,  mixed media on paper, 1997, 27 x 38 inches

cpllection of Roundtop Trust


Pregnant Plant,  pastel on paper, 1995, 21 x 28 inches

private collection




Milleniumgraphite on paper, 1996, 26 x 19 inches 

private collection




Pursuit,  mixed media on paper, 1996, 18.25 x 32.5 inches

private collection



Pursuit,  mixed media on paper, 1996, 18.25 x 32.5 inches

private collection

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States of Mind,  oil on panels, 1998, 10 x 31 inches (triptych)

private collection, Vero Beach, FL

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Dog Days,  mixed media on paper, 1999, 16 x 16 inches

private collection



Radishes II,  oil on panel, 2010, 30 x 44.75 inches

private collection

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Convergence,  pastel on museum board, 2012, 18.25 x 32.5 inches

collection of Roundtop Trust (promised gift)




Pursuit,  mixed media on paper, 1996, 18.25 x 32.5 inches

private collection



Perch,  acrylic and oil on museum board, 2000, 20 x 30 inches

private collection


The Outer Banks

For most of his life, Evans has summer vacationed with his family in the Outer Banks of North Carolina, gaining an intimate feel for the landscape and natural features of these barrier islands and this particular stretch of the Atlantic coast. On a number of occasions Evans has traveled there solo in the post season/off season to paint plein air at a time when the vacationers are gone and the beaches return to their more natural state. Different from his studio works, these works are more straight forward observations of light and the ever changing ocean-scape and beach eco-system.




Net,  oil on panel, 1995, 6 x 18 inches

private collection

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Waves,  oil on museum board, 2002, 10.75 x 7.5 inches

private collection



Dune House,  mixed media on paper, 2005, 

17.5 x 23.5 inches, private collection




Calm,  oil on museum board, 2004, 14 x 9.75 inches

collection of Roundtop Trust

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Beach at Night,  watercolor, 2001, 31 x 31 inches

collection of Roundtop Trust

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Off Season,  watercolor, 2002, 18 x 24 inches

private collection

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Post Season,  watercolor, 2002, 11 x 15 inches

collection of Roundtop Trust

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Storm Over Kitty Hawk,  oil on panel, 1992, 12 x 14 inches

private collection, San Francisco, CA



Dusk, Kitty Hawk,  oil on museum board, 2005, 7.75 x 10.5 inches

private collection

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Storm Surge.jpg
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Wave Study,  oil on panel, 2004, 15.7 x 15 inches

collection of Roundtop Trust



Storm Surge,  mixed media on paper, 2002, 18 x 22 inches

private collection, Kensington, MD

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