ROB EVANS
Figurative,
Still Life and Narrative Works
Based on everyday life experiences and rituals, natural artifacts and objects of personal significance, and the artist's family life, these works are presented in a variety of media and formats including shaped panels, triptychs and altarpieces. Utilizing non-linear narratives and unconventional metaphor, they transform the commonplace into universal expressive commentary on social, environmental and philosophical issues, such as climate change, the cycles of life, death, growth and decay, parenthood, and the passage of time.

Elizabeth Quinn Sleeping, 6 color lithograph drawn on one stone
and five plates, 2005, 10.3 x 10 inches, edition of 70 plus 10 artist proofs
Numerous collections including Metropolitan Museum of Art, NYC;
National Gallery of Art, Washington, D.C., Library of Congress, etc. (link)

Study for "Refuge," graphite on museum board, 1996, 12 x 13 inches,
Private collection, Berlin, Germany



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Carbon County (study for Fossil), graphite over fossil rubbing on paper, 1996,
19 x 18 inches, private collection
Carbon County (study for Fossil), graphite over fossil rubbing on paper, 1996,
19 x 18 inches, private collection

Carbon County (study for Fossil), graphite over fossil rubbing on paper, 1996,
19 x 18 inches, private collection


Toy Horse, pastel on paper, 1994, 27.5 x 21 inches
Private collection
Marietta Train, oil on panel, 1993, 30 x 23 inches
Private collection, Dartmouth, MA











Outer Banks

Outer Banks

Outer Banks

Interiors



Figurative,
Still Life and Narrative Works
Based on everyday life experiences and rituals, natural artifacts and objects of personal significance, and the artist's family life, these works are presented in a variety of media and formats including shaped panels, triptychs and altarpieces. Utilizing non-linear narratives and unconventional metaphor, they transform the commonplace into universal expressive commentary on social, environmental and philosophical issues, such as climate change, the cycles of life, death, growth and decay, parenthood, and the passage of time.
Elizabeth Quinn Sleeping, 6 color lithograph drawn on one stone
and five plates, 2005, 10.3 x 10 inches, edition of 70 plus 10 artist proofs
Numerous collections including Metropolitan Museum of Art, NYC;
National Gallery of Art, Washington, D.C., Library of Congress, etc. (link)
Study for "Refuge," graphite on museum board, 1996, 12 x 13 inches,
Private collection, Berlin, Germany





